Kjetil Tvedte Grutle (born December 24, 1973), better known as Grutle Kjellson, is a Norwegian musician, best known as the bassist and vocalist of the extreme metal band Enslaved. Kjellson and guitarist Ivar Bjørnson are the founding and only constant members of the band, as well as the main songwriters. He has released sixteen studio albums with Enslaved and won five Norwegian Spellemann Awards with the band.
Bands
- Enslaved - current member
Credited On
- Enslaved - Live Retaliation - Enslaved, released May 6, 2003 (
DR-4355). Bass, Lyrics, Vocals. Credited as “Kjetil Grutle”.
Biography
From the en.wikipedia article Grutle Kjellson (CC BY-SA 4.0), revision 1366477360.
In 1990, 16-year-old Kjellson met the 12-year-old guitarist of death metal band Obnoxious, Ivar Bjørnson, during a rehearsal with his own band Phobia in Haugesund. Bjørnson was invited to join Phobia, which later split up in early 1991. In May 1991, Kjellson and Bjørnson founded a new band inspired by Norse mythology called Enslaved together with drummer Trym Torson, a former bandmate of Bjørnson from Obnoxious. Kjellson and Bjørnson are the only permanent members of Enslaved since its inception to date. In 1996, Kjellson and Bjørnson together with Infernus and Tormentor of Gorgoroth created the short-lived thrash metal band Desekrator, which disbanded in 1999. In 2005, Kjellson along with Bjørnson, Enslaved bandmate Arve Isdal and other musicians formed the band Trinacria. He was a guest performer on the song "High on Cold War" from Darkthrone's 2006 EP, Too Old, Too Cold. In 2009, Kjellson contributed along with Enslaved colleagues Isdal and Herbrand Larsen, and American actress Laraine Newman, in the animated television series Metalocalypse as one of "The Klokateers". He has also appeared in interviews for the documentaries Showman (2010) and Metal Evolution (2014).
Sources
- Wikidata entity Q3320495.
- en.wikipedia, Grutle Kjellson (revision 1366477360), CC BY-SA 4.0.
- Photograph: Grutle Enslaved 2026 01.jpg on Wikimedia Commons, CC BY-SA 4.0, by Birgit Fostervold.
