Fall Out Boy's first live release: their whole set at the Cricket Wireless Pavilion in Phoenix, Arizona on June 22, 2007, shot on the 2007 Honda Civic Tour, with a tour documentary and eight music videos alongside it. It was sold on its own as a DVD under this number; the live audio was a separate CD, B0010934-00, and the two were also packaged together.
The band play twenty-one songs and a drum solo, from "Thriller" through covers of Akon, Michael Jackson, Panic! at the Disco and Timbaland to a "Saturday" encore. Gabe Saporta of Cobra Starship guests on "Grand Theft Autumn/Where Is Your Boy" and Adam Sisky of The Academy Is… plays bass on "Saturday".
- Recorded at
- Cricket Pavilion
- Running time
- 1 h 14 min
- Format
- DVD · 1 disc
Disc Contents
| # | Title | Note |
|---|---|---|
| Live In Phoenix (Honda Civic Tour, Phoenix, Arizona) | ||
| 1 | Intro | |
| 2 | Thriller | |
| 3 | Grand Theft Autumn/Where Is Your Boy | Vocals [Additional]: Gabriel Saporta |
| 4 | Don't Matter | Written-By: Aliaune "Akon" Thiam |
| 5 | Sugar, We're Goin Down | |
| 6 | Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued | |
| 7 | Of All The Gin Joints In All The World | |
| 8 | Hum Hallelujah | Written-By: Fall Out Boy; Written-By [Contains An Interpolation Of "Hallelujah" By]: Leonard Cohen |
| 9 | I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me | Vocals [Additional]: Andres Stuart; Vocals [Additional]: Charlie Mark; Vocals [Additional]: Jim Sevcik |
| 10 | Tell That Mick He Just Made My List Of Things To Do Today | |
| 11 | I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You) | |
| 12 | Intermission | |
| 13 | A Little Less Sixteen Candles, A Little More "Touch Me" | |
| 14 | Beat It | Written-By: Michael Jackson |
| 15 | Carpal Tunnel Of Love | |
| 16 | Golden | Written-By: Fall Out Boy; Written-By: Wes Eisold |
| 17 | I Write Sins Not Tragedies | Written-By: Brendon Urie; Written-By: Ryan Ross; Written-By: Spencer Smith |
| 18 | This Ain't A Scene, It's An Arms Race | |
| 19 | Dirty's Intermission | |
| 20 | Encore | |
| 21 | Thnks Fr Th Mmrs | |
| 22 | "The Take Over, The Breaks Over" | |
| 23 | One And Only | Written-By: Hannon Lane; Written-By: Patrick Stump; Written-By: Pete Wentz; Written-By: Timothy Mosley |
| 24 | Dance, Dance | |
| 25 | Drum Solo | |
| 26 | Saturday | Bass: Adam T. Siska |
| 27 | Credits | |
| Behind-the-scenes footage | ||
| 28 | Behind The Scenes At The Honda Civic Tour | |
| Videos | ||
| 29 | Sugar, We're Goin Down | |
| 30 | Dance, Dance | |
| 31 | A Little Less Sixteen Candles, A Little More "Touch Me" | |
| 32 | This Ain't A Scene, It's An Arms Race | |
| 33 | Thnks Fr Th Mmrs | |
| 34 | Carpal Tunnel Of Love | |
| 35 | "The Take Over, The Breaks Over" | |
| 36 | I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You) | |
Specifications
- Video
- NTSC
- Audio
- Dolby Digital 5.1
Discs
| # | Kind | Runtime | Chapters |
|---|---|---|---|
| 1 | feature | 74.8 min | 27 |
Personnel
| Name | Role | Also in the catalogue |
|---|---|---|
| Adam Sisky (The Academy Is) | Bass | |
| Andy | Drums | |
| Joe Trohman | Backing Vocals, Guitar | |
| Patrick Stump | Guitar, Vocals | |
| Pete Wentz | Backing Vocals, Bass Guitar |
Transfer & Authoring
- 5.1 Mastered By
- Jim Woodling, Michael Frondelli
- A&R Administration
- Tara Podolsky
- Additional Vocals
- Andres Stuart (Donnybrook), Charlie Mark (Funeral March), Gabe Saporta (Cobra Starship), Jim Sevcick (Broken Aside)
- Art Direction
- Scott Danskin
- Art Direction & Design
- Scott Danskin
- Assistant Post Engineer
- Brendan Dekora
- Audio Engineer
- Jim Woodling
- Booking
- Andrew Simon (CAA)
- Business Affairs
- Antoinette Trotman, Heath Kudler, Ian Allen, Vol S. Davis III
- Business Management
- Marcia Hyman (East Bay Business)
- Co-producer
- Kyle Chirnside
- Coordinator [Management]
- Douglas Neumann
- Design
- Scott Danskin
- Directed By
- Jonathan Beswick
- Film Director [DVD]
- Jonathan Beswick
- Illustration
- Dan Fraga
- Legal
- Mike McKoy
- Lyrics By
- Fall Out Boy
- Management
- Bob McLynn (Crush Management)
- Management Coordinator/GM
- Douglas Neumann
- Marketing
- Caron Veazey
- Mixed and Co-Produced By
- Kyle Chirnside
- Mixed By
- Kyle Chirnside
- Music By
- Fall Out Boy
- Package Production
- Doug Joswick
- Photography
- Pamela Littky
- Photography By
- Pamela Littky
- Product Manager
- Marisa Lauro
- Tour Management
- Dan Suh
- Tour Manager
- Dan Suh
Special Thanks
Anthony and Louis Ottimo of Jet One Jets
Packaging and Liner Notes
The jacket states the title three different ways. The front carries no typeset asterisks at all - fall out boy in white script over a gold-framed plate reading LIVE IN PHOENIX - and the four asterisk-like marks that dominate it are the drawn masks over the band members' faces in the cover photograph. The spine and the disc face are where the asterisks are actually set, between the band name and the title. The catalogue number is printed three times (spine, disc face as B0010935-09 DV01, booklet colophon) and never on the back panel, which carries only the UPC.
There is no spec bar anywhere on this release - no running time, no aspect ratio, no region text, only logos. That is unusual enough to be worth stating: it means the object offers nothing to check a runtime or a chapter map against.
The booklet carries an unsigned liner essay written from inside the band, about this very show - "I still feel quite close to many moments on this tour and one hot night in Arizona still always sticks out in my head" - and a credits page whose publishing paragraph is the only source for who wrote what. It names three things worth recording: Akon (as Aliaune Thiam) for "Don't Matter", Leonard Cohen for the "Hallelujah" interpolation inside "Hum Hallelujah", and Wes Eisold for "Golden".
Three misprints are on the object itself and are transcribed here verbatim without being propagated anywhere: the setlist prints OF ALL THE GINS JOINTS IN ALL THE WORLD; the publishing paragraph credits GEORGE ROSS for "I Write Sins Not Tragedies", where the writer is Ryan Ross; and THNKS FR TH MMRS is spelled two ways on one panel. The venue is printed Cricket Pavillion, with a double L.
The Bonus Feature
The packaging names it only BEHIND-THE-SCENES FOOTAGE, but the film names itself on screen: "Thnks fr th Mmrs - A Behind the Scenes Look at the Honda Civic Tour", 44:33, produced, shot and edited by Justin Thompson for Subversive Video Productions. It follows the whole tour rather than this one night - buses, dressing rooms, an acoustic practice in Holmdel, Pete Wentz's birthday at Jones Beach - so it is not Phoenix footage and should not be described as if it were.
The Object
